So... that sunny shot in my last post? Taken on June 28th, some 18 days ago. Seems I was right to get out and make the most of it, because it has done nothing but rain all over the British summer ever since. Or at least that's how it feels.
The British are nothing if not stoic, however, and we Irish are no strangers to leaden skies and false dawns, so I hooked up with a few other hardy souls at the weekend and spent a dreary morning in Regent's Park learning how to exploit Black & White techniques to make London seem... well... a little less dreary. Between half hearted attempts to dry my equipment and harassing confused ducks floating in flower beds, I managed to get this shot, which I'm pretty happy with. I like the way the movement of the plants around the edges of the photograph creates a slightly dreamy feel to the image.
For those who are interested, this was shot on a tripod, with a 10-stop ND filter in place, ISO100, f5.6, 30 seconds.
And if that kind of detail turns you on, you might also be intrigued by the top Black & White tips our instructor shared with us on the day, which I've reproduced at the bottom of this post. If you were already contemplating your next blog target by the time I uttered "ND filter", however, do yourself a favour and give it a miss:-)
Instructor James' top tips for BW photography:
1. Put your camera into mono mode so you can immediately see how the image looks in BW on the screen (rather than waiting until you get home and converting to mono in post processing).
2. Go for a low ISO setting (as BW tends to accentuate image noise anyway)
3. Underexpose by around 2/3 of a stop. The tones tend to be more dramatic this way and it's easier to rescue detail from shadows than from highlights in post processing.
4. If your camera allows you to apply a filter effect in mono mode, try the red filter. It adds contrast to BW to make it more punchy.
5. Use spot metering mode and meter on a bright highlight in the image for better exposure results than evaluative or centre weighted will give you.
6. If you're shooting big sky BW landscapes, use a really fast shutter speed of 1/2000th or faster to retain the detail in the sky.
7. Shoot RAW + JPG. Often, James assures us, the JPG file will have that sought after "filmic" black and white quality, without the need to post process your RAW file (as long as you've done all of the above!).